The spinal cord provides an alternative model for nerve tissue grafting experiments. Anatomo-functional correlations are easier to make here than in any other region of the CNS because of a direct implication of spinal cord neurons in sensorimotor activities. Lesions can be easily performed to isolate spinal cord neurons from descending inputs. The anatomy of descending monoaminergic systems is well defined and these systems offer a favourable paradigm for lesion-graft experiments.

Understanding Javanese philosophy through wayang wong performance.

The determination of death by neurological criteria remains controversial scientifically, culturally, and legally, worldwide. In the United Kingdom, although the determination of death by neurological criteria is not legally codified, the Code of Practice of the Academy of Medical Royal Colleges is customarily used for neurological death determination and treatment withdrawal. Unlike some states in the US, however, there are no provisions under the law requiring accommodation of and respect for residents' religious rights and commitments when secular conceptions of death (...) based on medical codes and practices conflict with a traditional concept well-grounded in religious and cultural values and practices. In this article, we analyse the medical, ethical, and legal issues that were generated by the recent judgement of the High Court of England and Wales in Re: A [2015] EWHC 443. Mechanical ventilation was withdrawn in this case despite parental religious objection to a determination of death based on the code of practice. We outline contemporary evidence that has refuted the reliability of tests of brainstem function to ascertain the two conjunctive clinical criteria for the determination of death that are stipulated in the code of practice: irreversible loss of capacity for consciousness and somatic integration of bodily biological functions. We argue that: the tests of brainstem function were not properly undertaken in this case; the two conjunctive clinical criteria set forth in the code of practice cannot be reliably confirmed by these tests in any event; and absent authentication of the clinical criteria of death, the code of practice wrongly invokes a secular definition of death based on the loss of personhood. Consequently, the moral obligation of a pluralistic society to honor and respect diverse religious convictions to the greatest extent possible is being violated. Re A is contrasted with the US case of Jahi McMath in which the court accommodated parental religious objection to the determination of neurological death codified in the Uniform Determination of Death Act. We conclude that the legal system in the United Kingdom should not favour a secular definition of death over a definition of death that is respectful of religious values about the inviolability and sanctity of life. We recommend the legal recognition of religious accommodation in death determination to facilitate cultural sensitivity and compassionate care to patients and families in a pluralistic society. (shrink)

Everything is a sign. We can consider the words we use, the texts we write, the movies or TV series we watch, photos or any content used in social media as a 'sign'. These signs are constantly telling us something as a representation. When considered from this point of view, it is inevitable that cartoons prepared for children will also be an sign. Based on this, it has been thought that the cartoon called 'Teenage Mutant Ninja Turtles', which has been (...) broadcast all over the world for more than thirty years, both on television and in cinemas without losing its currency, may also be signs. For this reason, the aim of the study is to analyze the narrative of the cartoons and animations called 'Teenage Mutant Ninja Turtles' through the representations in this narrative, the characters and their names in the cartoons and animations, the weapons used by the characters, the food they eat, their clothes, the colors and places they use. In addition, what the subject discussed in Mutant Ninja Turtles in general represents was analyzed through the relevant characters. In the study, it has been seen that each sign examined semiotically is produced with a certain cultural meaning. The cultural heritage from the Renaissance to the present reflects the culture of a particular society. Therefore, the culture spread by mass media can influence different cultures from itself. (shrink)

This study concerns the ideas of one particular philosopher, Henri Bergson, whose views of time, intuition, and creativity have had a significant impact on art, literature, and the humanities, both in his time and in our own. Although it is generally recognized that Bergson's ideas have significantly impacted the arts and the humanities, it has not been recognized how they have also had a creative influence on the sciences as well. Nor has it been realized that this was one of (...) his most basic contentions. Bergson's conception of intuition--his fundamental insight into reality--was not limited to fugitive insights into human existence. By realizing previously unsuspected possibilities for research and discovery, his endeavors were also meant to make possible new advances in the sciences. If it enabled his cousin by marriage, Marcel Proust, to explore human memory in depth, it also inspired psychologists like Daniel Schachter to use Bergson's ideas to make real contributions to contemporary memory science. If his notion of creative evolution brought many thinkers to a belief in human creative freedom, it brought others (notably Alexis Carrel and Pierre Lecomte de Noüy) to a scientific study of biological time. Among his successful speculations was the theory of the Big Bang cosmology. 'Getting Bergson Straight' shows many points at which Bergson's ideas anticipated future developments in the sciences. This was seen clearly by the Nobel Prize-winning physicist Luis de Broglie who viewed Bergson's physics as presaging quantum physics. Thus, the text is well situated for arts, humanities, social science, and natural science classrooms studying creative thinking and/or intellectual history. (shrink)

Recent discussion of the problems associated with glacie has been copious. It has arisen out of Housman's note, which runs as follows: ‘glacie nemini, quantum scio, praeterquam mini et Schradero et Hadriano Valesio admirationem mouit: ceteris exploratum est frigore pisces maculosos fieri, eos praesertim qui torrentem cloacam, locum frigidissimum, penetrare soleant.’ In his 1931 reprint he added : ‘Ruperti took exception to glacie, but only to its case’. Housman's ironically stated objection to the sense is indeed a formidable difficulty; though (...) the other—the fact of the two ablatives and the vagueness of the former—is itself serious enough to provide an additional indication of corruption. (shrink)

Since 1944, attempts at progress in the interpretation of the text of the Bacchae must inevitably express themselves mainly in terms of respectful disagreement with Professor Dodds's edition published in that year. 20–24. Dodds's text was justly called in question by Kitto , 65), but there is only one available remedy for this complex; those who work it out for themselves will find that they had been anticipated by Wecklein in his text and school edition.

‘A sweet life without lamentation’ renders Mr G. Thomson, who discusses the passage in C.Q. XXVIII 74 f. That is beyond question what this Greek will naturally and properly mean; if there were any doubt, his citations dispel it.

‘A sweet life without lamentation’ renders Mr G. Thomson, who discusses the passage in C.Q. XXVIII 74 f. That is beyond question what this Greek will naturally and properly mean; if there were any doubt, his citations dispel it.

In C.Q. XXVII. 178–181 Mr. S. G. Owen has raised some interesting questions, but it may be doubted whether he has in every case discovered the correct solution. Panntalia 30, 6: quaeque sine exemplo in nece functa uiri. Mr. Owen's pronece removes the hiatus, but I think has no other merit. The sense ‘a death for a death,’ even if not necessarily or best represented by repetition of the same term, is at least not happily represented by such combination of (...) euphemism with dysphemism; ‘in place of the slaughter of her husband, she finished her days.’ Read funere, and you get an expression characteristic of this school; Paulinus of Pella applied it to death; patris de funere functi 236, ‘of my father's death,’ i.e. funere defuncti, cf. 241 defuncti patris. But Paulinus of Nola applied it also to a vicarious death, Christus … morte mea functus, carm. 31, 191 . Both were pupils of Ausonius. (shrink)

In C.Q. XXVI. 45–51 I contended that in Aesch. Agam. 1227–30 Cassandra describes Clytemnestra in terms of a Greek proverb, the proverb of the Treacherous Hound; and I restored the passage thus:— νεŵν δ' παρχоς 'Ιλоν τ' νασττης оκ оδεν оα γλŵσσα μιστης κννς λεξασα κα σνασα φαδρ', ооν δκоς Ατης λαθραоν δξεται κακ τχν.

On οδ γγελός τίς κτλ. Jebb writes: ‘The sentence begins as if γγελός were to be followed by λθε:but the second alternative, συμπράκτωρ όδοû suggests κατεȋδε [had seen, though he did not speak]: and this, by a kind of zeugma, stands as verb to γγελος also.’ In support he cites only an atrocious zeugma from the MS. text of Hdt. iv. 106; but this has been corrected, as anyone may now see who will examine the text and apparatus of chs. (...) 106 and 107 as presented in Hude's edition. (shrink)

‘ “I desire”’ Jebb, whose note I now take as read. In this and my ensuing discussion I seek to show that never has that meaning. The scholiast's note is a sophism, and Jebb's is another. Jebb says that the primary sense is to love; he prudently leaves unstated the next step in the fallacy, that to love might mean to have just fallen in love with; and he concludes that poetry ‘could easily draw’ the sense to desire. Actually applies (...) as between parents and children, rulers and their subjects, and to other not necessarily amenable persons or not prima facie acceptable things with whom or which one has to associate continually ; its general sense is to ‘do with’, to brook; it ranges from like to either extreme, be fond of or tolerate. In its various nuances it resembles which never means to ‘desire’. (shrink)

‘ “I desire”’ Jebb, whose note I now take as read. In this and my ensuing discussion I seek to show that never has that meaning. The scholiast's note is a sophism, and Jebb's is another. Jebb says that the primary sense is to love; he prudently leaves unstated the next step in the fallacy, that to love might mean to have just fallen in love with; and he concludes that poetry ‘could easily draw’ the sense to desire. Actually applies (...) as between parents and children, rulers and their subjects, and to other not necessarily amenable persons or not prima facie acceptable things with whom or which one has to associate continually ; its general sense is to ‘do with’, to brook; it ranges from like to either extreme, be fond of or tolerate. In its various nuances it resembles which never means to ‘desire’. (shrink)

cum prorepserunt primis animalia terris, mutum et turpe pecus, glandem atque cubilia propter unguibus et pugnis, dein fustibus, atque ita porro pugnabant armis, quae post fabricauerat usus, donec uerba, quibus uoces sensusque notarent, nominaque inuenere; dehinc absistere bello, oppida coeperunt munire et ponere leges, ne quis … uoces and sensus are not in pari materia; indeed, uoces notare is nonsense, as Gow says. The defect was first pointed out by Housman, J. Phil. xviii, pp. 5–8; his remedy was to transpose (...) one word and read donec uerba, quibus sensus, uocesque, notarent, nominaque inuenere. I doubt if any scholar not already familiar with Housman's note could understand his Latin here without considerable analytical effort; and I cannot but think that Housman was for once demanding from a pair of commas a cabalistic virtue hardly resident in the seal of Solomon. Admittedly he supplies a long list — one page and a half—of illustrative dislocations; but in my opinion two objections remain. In the first place, ‘interlacing’ of the clauses A B in the form A B A B is quite frequent in Latin verse; but A B A B A is rare in the extreme, not to be found in Horace, not perhaps in any Latin author except Lucretius. Secondly, the insertion of uoces, ‘expressions’ generally , in such a way as to disrupt the pair uerba nominaque ‘verbs and nouns’ would be awkward, and for Horace anomalous, in the most lucid of contexts; here it makes confusion worse confounded. (shrink)

cum prorepserunt primis animalia terris, mutum et turpe pecus, glandem atque cubilia propter unguibus et pugnis, dein fustibus, atque ita porro pugnabant armis, quae post fabricauerat usus, donec uerba, quibus uoces sensusque notarent, nominaque inuenere; dehinc absistere bello, oppida coeperunt munire et ponere leges, ne quis … uoces and sensus are not in pari materia; indeed, uoces notare is nonsense, as Gow says. The defect was first pointed out by Housman, J. Phil. xviii, pp. 5–8; his remedy was to transpose (...) one word and read donec uerba, quibus sensus, uocesque, notarent, nominaque inuenere. I doubt if any scholar not already familiar with Housman's note could understand his Latin here without considerable analytical effort; and I cannot but think that Housman was for once demanding from a pair of commas a cabalistic virtue hardly resident in the seal of Solomon. Admittedly he supplies a long list — one page and a half—of illustrative dislocations; but in my opinion two objections remain. In the first place, ‘interlacing’ of the clauses A B in the form A B A B is quite frequent in Latin verse; but A B A B A is rare in the extreme, not to be found in Horace, not perhaps in any Latin author except Lucretius. Secondly, the insertion of uoces, ‘expressions’ generally, in such a way as to disrupt the pair uerba nominaque ‘verbs and nouns’ would be awkward, and for Horace anomalous, in the most lucid of contexts; here it makes confusion worse confounded. (shrink)

The ‘four famous cruces’ of this satire are as interesting as notorious. I regard the first as solved, since I cannot imagine anybody improving upon Postgate's line 13 . But I find instead a hitherto undetected but quite palpable flaw in the opening words.

Professor H. J. Rose's article in C.Q. xxxiii. 69 f. has advanced the study of this perplexing passage in two important respects. He has observed that, in order to determine the ‘eye’ as metaphorical, ỏΦθαλμός requires a dependent genitive, and he has therefore restored μεαλν πολων to this relation by punctuating as above instead of after πολίων And he is surely equally right in maintaining that this plural genitive must have a plural reference; it must mean ‘of great cities’ and (...) not ‘of Cyrene’. For although there is a figure called pluralis maiestatis, such obscurity in the use of it seems too affected, such ambiguity too perverse; a poem honouring the prince of Cyrene will refer to this famous city in unmistakable terms. (shrink)

Professor H. J. Rose's article in C.Q. xxxiii. 69 f. has advanced the study of this perplexing passage in two important respects. He has observed that, in order to determine the ‘eye’ as metaphorical, ỏΦθαλμός requires a dependent genitive, and he has therefore restored μεαλν πολων to this relation by punctuating as above instead of after πολίων And he is surely equally right in maintaining that this plural genitive must have a plural reference; it must mean ‘of great cities’ and (...) not ‘of Cyrene’. For although there is a figure called pluralis maiestatis, such obscurity in the use of it seems too affected, such ambiguity too perverse; a poem honouring the prince of Cyrene will refer to this famous city in unmistakable terms. (shrink)

I present first what I take to be a more interesting item than the others. O.C 716–19. δ' ερετμος κπαγλ' λα χερ σ ✝παραπτομναπλτα θρσκει, τν κατομπδων νηρῄδων κλουθος. The above is Pearson's text, except that I have transferred the last syllable of his 716 to the beginning of my 717. Careful consideration of the metre of this stasimon has convinced me that 716 is rightly regarded by Schroeder as an ionic trimeter ; further, that 717 is what most people (...) call a glyconic, as is also 718. Naturally therefore I follow Hermann and Jebb as regards the text in 704, and have thus no use for the three conjectures mentioned by Pearson as substitutes for our admittedly corrupt παραπτομνα. (shrink)

I present first what I take to be a more interesting item than the others. O.C 716–19. δ' ερετμος κπαγλ' λα χερ σ ✝παραπτομναπλτα θρσκει, τν κατομπδων νηρῄδων κλουθος. The above is Pearson's text, except that I have transferred the last syllable of his 716 to the beginning of my 717. Careful consideration of the metre of this stasimon has convinced me that 716 is rightly regarded by Schroeder as an ionic trimeter ; further, that 717 is what most people (...) call a glyconic, as is also 718. Naturally therefore I follow Hermann and Jebb as regards the text in 704, and have thus no use for the three conjectures mentioned by Pearson as substitutes for our admittedly corrupt παραπτομνα. (shrink)

In C.Q. N.s. iv , 10–12, I gave an elaborate diagnosis of the morbid symptoms in sense and syntax of the traditional text. I then proposed , rendering ‘as I now am doing, without success’. Professor W. M. Edwards wrote to me that he accepted ‘this very helpful analysis of the trouble', but not my emendation, on the ground that O.'s admission of failure would be ‘a factual statement requiring ’.

In the last number of C.Q. Mr. A. D. Knox has drawn up a list of Theocriteans who, he suggests, ‘have all of them made the most elementary mistake’ of failing to consider the possibility at least that it is the Boy, and not the Fox, who is the subject of καθξ in Id. I. 51. From that list he will have to with-draw two names, Gow and Campbell. This construction, which Mr. Knox propounds as a novelty, had been suggested (...) by Mr. Gow in C.R. XLIV., pp. 9–10. For my part, I am not ingenious, and that syntactical possibility would no more have occurred to me independently than would Mr. Gow's three renderings of it, two of which are ‘until he sets her vinous breakfast upon a more solid basis’ and ‘until he sets her grapes on toast’; as little could I ever have thought, with Mr. Knox, of ‘the obvious necessity’ for this fox ‘of rest after a heavy meal’; still less of those further inevitable eventualities1 at which he hints with such delicacy in his quotation of Aelian V. 39. In regard to these and all such matters, to my mind ‘it were to consider too curiously to consider so.’ For even in Greek which represented for my ears some such English as ‘until she set him a-breakfastant upon the dries,’ if there was one thing with which I was completely satisfied it was with the Fox as subject; that seemed so perfectly in keeping both with the happy playfulness of the passage and with the richly idiomatic φατ as applied to a graven image of an animal. But from the fact that I criticized Mr. Gow's note it is obvious that I was familiar with his idea. (shrink)

That after that is just too ghastly. Jebb's citations are no parallels; the difference is that and have both precisely the same reference. Read ‘which reflections … time-honoured as they are’. In this well-known construction a term which logically belongs to the antecedent is deferred and inserted in the relative clause—‘for emphasis’.

Cassandra speaking.The first of these lines is not in dispute; the three which follow are notorious; they are subjoined as in the manuscripts, with punctuation to mark the ostensible construction:ε δ ἔπαρχος Ίλίοʊ τ άναστάτηςούκ οἶδεν οἶδ уλσσα μισητς κʊѵòςλέξασα καì κτείνασα ϕαιδρόνοʊς, δίκηνἄτης λαθραίοʋ τεύξεται κακῇ τύχῃ.